The symbols were aligned vertically if more than one fret should be stopped. Instead, it used 54 or more symbols for as many possible junctions of fret and string. Unlike these systems, German lute tablature (flourished 1511–1620) did not provide a diagram of the strings. Rhythms were shown by note stems above the diagram. Numbers, rather than letters, indicated which fret was to be stopped. Except in the famous lute book of Luis Milán, the lowest line represented the highest pitched string. Italian or Spanish tablature (flourished 1500–1650) resembled the French system, using six lines to represent the six courses of strings. Get a Britannica Premium subscription and gain access to exclusive content.
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